HOME

NEWS

DISCOGRAPHY

TEACHING

INTERVIEWS

CONTACT

Tasting Harmony

Tasting Harmony

Tasting Harmony  was developed to provide a fun approach for all musicians who want to get involved with harmony on a deeper level in a direct and non-theoretical way. It’s a new approach to ear-training, utilizing the concept of synesthesia; the mixing of the senses. The exercises in this set are designed to teach your ear to focus on the sound of each individual chord tone while simultaneously hearing the full chord. I developed this concept to provide a fun approach for all musicians who want to get involved with harmony on a deeper level in a direct and non-theoretical way.

The chord progression of every song represents a harmonic recipe created by the composer. Tasting Harmony helps you to fully stock your ear with the ingredients needed for each recipe. You’ll learn how to discern the different flavors, and use that ability to establish an emotional connection to your note choices. Sing and play along with vocalist Petra van Nuis and pianist Jeremy Kahn as they take you through a full menu of ear-enriching harmonic flavors.

Tasting Harmony Features

64 Pages + 1 Play-along CD with 81 tracks.   —   Available in C, Bb and Eb Editions.

 Individual CD tracks train your ear to hear each chord tone over Major 7th, Dominant 7th, Dominant 7th sus, Dominant 7b9, Dominant 7#9, Minor 7th, Minor w/Major 7th, Minor 7b5, Diminished 7th, Major 6th and Minor 6th chords.

• Train your ear by chord types, such as Major 7th, Minor 7th, etc., or by chord degrees, such as Roots, thirds, fifths, sevenths, ninths, etc.

• Includes section on suggested use of the book and nine specific practice options.

• Eighty-one play-along tracks are included on the CD. Want to train for sharp 9ths on dominant chords? Play or sing along with track 40. Want to train for sharp 11ths on Major seventh chords? Just go to track 6. Easily locate and train for any chord tone over eleven different chord types.

• CD tracks are played in a wide variety of styles, including: bossa, samba, swing, 12/8, funk, gospel and two-feel. This keeps things fun and fresh while training your ears, making tracks like “thirds over minor seventh chords” feel more like a song than just an ear training exercise.

• Perfect for all levels. From the eager novice to the seasoned professional, all levels of players will enjoy working with this book and CD set.

• Easily integrated into your daily practice routine.

• Perfect piano background tracks over every chord type so that you can practice licks in twelve keys…If you have a minor seventh lick that starts on the ninth of the chord, simply go to track 47 (ninths on minor seventh chords) and you’ll have the piano accompaniment to play the lick in all twelve keys. What if your lick starts on the third? No problem…go to track 44!

• Great for practicing scales and chord arpeggios in harmonic context.

• 
CD can also be used without the book for training your ear while commuting, walking, working out, etc.

• Excellent for working on intonation by matching pitch of the vocalist on the CD singing the circle of fourths over all the chord backgrounds.

Jazz Duets

Jazz Duets

“Greg Fishman’s Jazz Saxophone Duets is perfect for the player who wants to improve his ear, technique and style. The duets are fresh, articulate and melodic enough to memorize.” – Plas Johnson

 

Jazz Saxophone Duets:
Each of the 10 duets has four corresponding CD play-along tracks:
1. Saxes 1 & 2 + Rhythm Section
2. Sax 2 + Rhythm Section
3. Sax 1 + Rhythm Section
4. Rhythm Section Only + extra choruses for soloing

There are 40 tracks per disc x 3 discs = 120 tracks! Each CD contains more than 60 minutes of music.

The duets are playable by:
2 Altos, 2 Tenors, or Alto & Tenor

Saxophonist Greg Fishman plays the lead tenor part and both alto parts. Saxophonist Mark Colby plays the second tenor part.

Jazz Trumpet Duets:
This book includes 10 Duets and a 40 track Play-along CD. The Play-along CD also contains extra rhythm section tracks for extended blowing and for playing “live” with two trumpeters.

Master Trumpeter Mark Olen plays both parts of the duets along with a fantastic rhythm section. Players have a choice of playing the lead part or the second part along with the recording.

Also included is a style and analysis section, and a detailed practice guide for intermediate, advanced and pro-level players.

Jazz Etudes

Jazz Etudes

“This is one of the most concise and easy to digest collections of solos over standard tune chord changes that I have seen. All the elements of good voice leading, passing notes and common scale usage are here. Very enjoyable!!” – Dave Liebman

Each volume of Jazz Saxophone Etudes includes twelve etudes and two play-along CDs. Saxophonist Greg Fishman demonstrates each etude on both alto and tenor, backed by a world-class rhythm section featuring pianist Dennis Luxion, bassist Eric Hochberg, and drummer Phil Gratteau.

– Includes rhythm-section-only tracks with extra choruses to practice soloing over the chord progressions.

– The rhythm section is recorded in two different keys, allowing all saxes to read the same written part, ensuring that each etude lays perfectly on all saxophones.

– Written with the idiomatic tendencies of the saxophone in mind, these etudes demonstrate a melodic approach to soloing with authentic jazz vocabulary.

The etude series Jazz Guitar Etudes was created to fill a gap in the musical resources available to the aspiring jazz guitarist. Its purpose is to demonstrate the concepts of soloing to those students who know their chords and scales but lack the musical vocabulary to create professional-level solos.

Hip Licks

Hip Licks

Hip Licks is designed to help musicians develop fluency in the jazz language by providing mainstream jazz vocabulary (swing/bop/post-bop) that nails the changes and lays great on their instrument.

 

Think of Hip Licks as a musical reference book, like a dictionary of great licks in all twelve keys, available when you need it. You can open the book to any page and just start playing.

 

Need something that will help you sound like a total pro while playing over the most challenging keys, like: C#, F# or B? Hip Licks is an indispensable resource that can immediately show you how a professional player would approach those tough keys and chord progressions.

 

Special Features:
• 168 Hip Licks – Each lick is unique and customized for each key, based on the best timbre, register and playability on the horn. The C7 lick is different than the B7 lick, which is different than the Bb7 lick, etc.

 

• Idiomatic Construction (Sax Version) –
Alto and Tenor read the same written part, while the rhythm section is recorded in two different keys, ensuring that each lick lays perfectly on all saxophones.

 

• Slow Tempo and Fast Tempo Play-Along
CDs are included, providing over four hours of play-along tracks.

 

• Hip Licks Nail the Most Popular Chord
Progressions:
– Major 7th, Dominant 7th, Dominant 7b9, Minor 7th, Minor 7b5, and Diminished 7th and Augmented 7th Chords– ii-7 / V7 / I Major (two and four-measure phrases)
– ii-7b5 / V7b9 / i Minor (two and four-measure phrases)
– Parallel Major to Minor Progressions
– ii- ii-Maj7 / ii-7 V7 / I Maj7 (ii-7 / V7 / I Maj7 with moving 7ths)

 

• Modular Design – The licks are self-contained, easily taken out of the book to be used in a wide variety of songs.

 

• Interactive Call and Response Format – perfect for ear-training and developing your musical memory. Each lick is played twice in a row on the Play-Along CDs, so you can hear the lick and then immediately play along.

 

• Twelve Key Approach – Every CD track takes you through all twelve keys.

 

• Rhythm section only tracks – let you experiment with your own variations on the licks and improvise over a wide variety of harmonic settings. These tracks are also excellent backgrounds for practicing all of your chords and scales.

 

• Technique Builder – Use Hip Licks as part of your daily practice routine to dramatically increase your technical command of your instrument.
A Tribute to Larry Novak

A Tribute to Larry Novak

Such sad news today…Larry Novak, the brilliant Chicago pianist passed away yesterday. I first heard Larry at Rick’s Cafe, a great jazz club in Chicago back in the 1980’s. Larry was playing with Louie Bellson. I was 13 years old, and I’d just started playing saxophone that very year. Little did I know that less than ten years later, not only would Larry and I be good friends, but he actually hired me to play with himself and Louie Bellson on several jazz festivals.

While I didn’t meet Larry personally that first time I heard him, about three years later, I was all of 16 years old, at his house for a jam session with his son, the drum prodigy Gary Novak. After hearing me play, Larry pulled me aside and said some encouraging words, but also told me that I was ready to go to legendary Chicago saxophonist, Joe Daly to study with him. He gave me Joe’s phone number and told me to mention that Larry said I should call. Joe took me on as a student with Larry’s recommendation.

In the years that followed, Larry and I played many gigs together at so many clubs and private events. We always had a blast together, both musically and personally.

I have many great memories of Larry visiting my gig with Judy Roberts at Chambers Restaurant during our long 22 year run there. Larry would sit in, and we’d have instant musical chemistry happening. What a blast!

In more recent years, used to go over to Larry’s house and we’d play together for hours. We also, for several years, we had a fun breakfast hang at Walker Brothers Pancake house. Larry would call me at random times at 10am and I’d say, “Hello?” and he’d say “Walker Brothers in 20 minutes,” I’d meet him over there. We’d eat too many pancakes and talk and laugh about music and all different subjects. Larry had such an uplifting vibe. I always left those breakfasts full of hope and energy. Larry was so supportive of my playing and my teaching. Being a great teacher himself, we spent many hours discussing teaching approaches and stories about working with students. It was very inspiring.

In the early 2000’s, Larry was a huge fan of my duo with Paulinho Garcia (called Two for Brazil), and Larry told me he would be honored to write the liner notes for our CD Two for Brazil Plays the Standards. For anyone reading this post, if you have that CD, check out Larry’s great and insightful liner notes.

This audio track is the only commercial recording I ever did with Larry, and it happened just by chance. I was stopping by Steve Yates recording studio in Morton Grove, IL to pick up a Two For Brazil CD master, and Larry, Nick Tountas, Rusty Jones and Vocalist Mark Pompe were recording an album at that very moment. They asked me if I had my horn with me, and if I’d like to play on a tune for the album. I said “sure” and we did this in one take, all live playing. It was so much fun, and I’m so glad to have this as a memory of playing with Larry. I’ll really miss him. RIP, Larry, and thank you for all of the great music and memories.